Everyone Else(Alle Anderen)

Film Threat by

Writer/director Maren Ade has a laid-back, almost lackadaisical style that feels breezy, lived-in, and rich.

Boxoffice Magazine by Amy Nicholson

Smart, empathetic and wholly believable.

The New Yorker by Anthony Lane

If there's one movie this spring that you shouldn't see with a date, it's Everyone Else, unless you are looking for a quick, low-budget way to break up. Not that Maren Ade's film is especially gloomy or cynical; merely that it functions as a fearsome seismograph, charting not just the major quakes in a relationship but also the barest tremors.

Variety by Derek Elley

Simply fuzzy filmmaking of the worst sort.

Village Voice by J. Hoberman

An exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more fascinating than enjoyable.

The New York Times by Manohla Dargis

A sun-kissed German film about a young couple in love and in doubt, might not be perfect, but so much is right and true in this lovely, delicate work that it comes breathtakingly close.

USA Today by Mike Clark

The film is an impressive effort, yet often a trying one.

The A.V. Club by Scott Tobias

It isn't pretty to witness, but the pain of it smarts.

New York Post by V.A. Musetto

The well-acted, pleasantly lensed drama doesn't recall Hollywood's generic approach to fragile couples, and that's just fine with me.