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Rated R · 2h 12m
The Kim family lives together in a run-down semi-basement, surviving off a slew of temporary jobs. But when a job opportunity with the wealthy Park family presents itself, the Kims infiltrate the household with scheme after scheme in this black comedy thriller from Bong Joon-ho. The 2019 winner of the Palme d'Or at Cannes.
WHAT ARE PEOPLE SAYING?
This film is a piece of narrative art—the way the characters grow and turn is incredible. The pace is perfect, almost like a piece of classical music that builds and builds to the perfect crescendo.
I completely agree that the pace of this film is perfect, and it does have a distinct rhythm that feels as if it can only be achieved by a master of cinema such as Bong Joon-ho. I'm equally in awe of the tone if this film, which reminds me of the delicate balance of consequence and humor in "The Host". As always, the world of this story is rich with detail and the entire cast delivers pitch-perfect performances.
This film is brilliant! The score, the performances, the cinematography -- all masterfully done!. Not only is it a cinematic masterpiece, but the symbolism and themes makes its a purely enjoyable movie-watching experience. It's an important look at classism and wealth inequality, and truly one of the most unforgettable films of 2019.
PARASITE is admirable for so many things: its pace, its humor, its symbolism, even its rewatchability. This feels like a film that will always be relevant, one that has more to offer with each new viewing. Money changes everything, and this film makes that abundantly clear the second the first justified — and even playful — con turns sinister.
Parasite really shows how brilliance can arise from the most minimal of approaches. The plot itself is straightforward and easy to follow-- the film acquires its sophistication from layer upon layer of metaphor and symbolism. I have watched Parasite many times, and still notice something new after every viewing. This film really never gets old.
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WHAT ARE CRITICS SAYING?
TheWrap by Ben Croll
The Playlist by Bradley Warren
IndieWire by David Ehrlich
Variety by Jessica Kiang
CineVue by John Bleasdale
Screen Daily by Jonathan Romney
Los Angeles Times by Justin Chang
The Guardian by Peter Bradshaw
The Telegraph by Robbie Collin
The Hollywood Reporter by Stephen Dalton