Filtering the fallout of Mexico's drug wars through the eyes of one stoic security guard, documentarian Natalia Almada (El General) avoids the head-on journalistic approach and emerges with something far more impressive: a piece of lyrical, sideways social reportage that still connects an astounding number of dots.
What are people saying?
What are critics saying?
Village Voice by Melissa Anderson
El Velador still sharply conveys what life is like in a traumatized nation.
Slant Magazine by Nick Schager
El Velador doesn't pass judgment or manipulate emotionally, instead choosing simply to consider the arduousness of survival in a land wracked by slaughter.
Chicago Sun-Times by Roger Ebert
The Mexican drug cartels have inspired countless films, but never one as final as Natalia Almada's documentary El Velador.
The New York Times by Stephen Holden
Natalia Almada's eloquent documentary portrait of a sprawling graveyard in Culiacán, Mexico, in the northwestern state of Sinaloa. The rapidly expanding cemetery has become the burial ground of choice for the country's slain drug lords.