At its best, the film is moving and thought-provoking, but at other moments it is unintentionally silly. It is not the story but the telling of it that is the problem; at 140 minutes, Maurice simply goes on too long.
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In this forthright screen version of E.M. Forster's posthumously published novel. Directed by James Ivory and produced by Ismail Merchant, who show the same literate skill and the same fidelity to their source that marked "A Room With a View."
Mr. Ivory and Ismail Merchant have long since learned to breathe life into their material without excessive reverence, in a manner that is as decorous as it is dramatic. As might be expected, the costumes, settings and cinematography are once again ravishing.
The dissection of Edwardian repression never gets beyond the dutiful, tasteful obviousness of a BBC miniseries.
Maurice, based on a posthumously published novel by E.M. Forster, is a well-crafted pic on the theme of homosexuality.
Maurice (pronounced Morris) is all high-mindedness and good taste. It has no emotional tension or - heaven forfend - strong expression of frustration or need.
The film is so well made and acted, because it captures its period so meticulously.