A bizarre and baroque meditation on death, memory and the passage of time that ranks among the director’s more cryptic works (of which there are several in his whopping 100+ feature filmography), though it does offer up a few pleasurable moments.
Night Across the Street(La noche de enfrente)
✭ ✭ ✭ ✭ Read critic reviews
Chile, France · 2012
1h 47m
Director Raúl Ruiz
Starring Christian Vadim, Sergio Hernández, Valentina Vargas, Chamila Rodríguez
Genre Drama
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A drama centered around an office worker on the verge of retirement who begins to relive both real and imagined memories.
What are people saying?
What are critics saying?
The New York Times by A.O. Scott
Unlike his precursors Georges Franju and Luis Buñuel, who reveled in the shock of incongruity, Mr. Ruiz took it in stride. His gliding, floating camera could make wild impossibilities look utterly natural. And so it is in Night Across the Street, where the present commingles with the past, and seeming is another way of being.
This surreal, sentimental journey does provide an excellent encapsulation of everything Ruiz did best: oddball takes on highbrow lit and lowbrow genre conventions, guided tours of characters’ mazelike memory banks, and a reveling in film culture that doubles as a cinephile’s wet dream.
Slant Magazine by Jaime N. Christley
It's a final film in the specific sense of Raúl Ruiz designing the larger part of it around a metaphorical contemplation of his own, imminent demise.
The valedictory sentiments at the heart of this mysterious experiment are conveyed with characteristically wry wit and great generosity of spirit.
Village Voice by Michelle Orange
Proof that Ruiz was still teeming with ideas himself, Night is a characteristic work of surreal wit and circuitousness—and the filmmaker's winking but mournful goodbye.
The arrival of Raúl Ruiz’s final work, Night Across the Street, brings the total to four, an elegant, clear-eyed bridge game of artists playing their last trump cards.
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