Significant Other

Collider by Chase Hutchinson

When it embraces an eerie and enigmatic tone that subsequently gets turned on its head, Significant Other still boldly proves to be a film worth getting lost in.

The A.V. Club by Jordan Hoffman

At the halfway mark, a little spice gets shaken into the otherwise thin soup. It’s still far from a must-see, but there are rewards for those who stick to the end.

We Got This Covered by Martin Carr

Significant Other is a substandard supernatural hybrid, which wastes the talent of all those involved. Maika Monroe and Jake Lacy may work hard to breathe life into this ponderous fireside fable, but often fall short through no fault of their own.

Paste Magazine by Natalia Keogan

Berk and Olsen take a big swing by overtly hailing far-flung influences—Spielberg, Aster, Kaufman—without overstuffing their film with incessant references. But they don’t quite follow through on their initial ambition, and the movie feels frustratingly restrained.

The New York Times by Natalia Winkelman

Significant Other does not reinvent the genre, but its narrative flourishes make for an exciting outing.

Movie Nation by Roger Moore

A clever (and foreshadowed) touch or two notwithstanding, in the end, the filmmakers’ attempts at misdirecting the viewer’s expectations fail and the movie’s endless “on the nose” characters, moments and lines of dialogue overwhelm it.