The New York Times by Jeannette Catsoulis
Blending sensuous imagery with jabs of feminist wit — at one point, a vibrator is weaponized against a male intruder — Colbert sends her heroine on a transformative journey of revenge and renewal.
✭ ✭ ✭ ✭ Read critic reviews
United Kingdom · 2022
1h 35m
Director Charlotte Colbert
Starring Alice Krige, Kota Eberhardt, Malcolm McDowell, Rupert Everett
Genre Drama, Horror, Thriller
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After a double mastectomy, Veronica Ghent goes to a healing retreat in rural Scotland with her young nurse, Desi. She discovers that the recovery process opens up questions about her own existence, leading her to confront past traumas. However, chaos ensues when mysterious forces give Veronica the power to enact revenge within her dreams.
The New York Times by Jeannette Catsoulis
Blending sensuous imagery with jabs of feminist wit — at one point, a vibrator is weaponized against a male intruder — Colbert sends her heroine on a transformative journey of revenge and renewal.
The A.V. Club by Jordan Hoffman
It’s the film’s mercurial nature, its hazy dreamlike logic, that makes it so extraordinary.
Krige is magical enough in a complex role (and relative newcomer Eberhardt makes for a wonderful foil), but she can only pull the film along through sheer force of will for so long.
You watch this film and never, for a second, do you forget you’re seeing art in motion.
Slant Magazine by William Repass
She Will can’t decide if its horror or comedy, nor does it strike the balance that would harmoniously hybridize them.
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