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Following in his father's footsteps, Albert Pierrepoint becomes one of Britain's most prolific executioners, hiding his identity as a grocery deliveryman. But when his ambition to be the best inadvertently exposes his gruesome secret, he becomes a minor celebrity and faces a public outcry against the practice of hanging.
Like most television directors, Shergold is good with actors. Jowly, impassive and rigid with righteous dignity, Timothy Spall makes a wonderfully meticulous Pierrepoint.
This measured bio-production might be viewed as a lesser companion piece to "Vera Drake" -- although in the case of Pierrepoint: The Last Hangman, all the period-piece tastefulness makes for a story more instructive than emotionally tangible.
You have to wonder just how true to life the melodramatic depiction of these events is, especially since the film was made in partnership with TV's "Masterpiece Theater."
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The Globe and Mail (Toronto) by
New York Magazine (Vulture) by David Edelstein
L.A. Weekly by Ella Taylor
New York Daily News by Jack Mathews
TV Guide Magazine by Ken Fox
Entertainment Weekly by Lisa Schwarzbaum
The A.V. Club by Noel Murray
The New York Times by Stephen Holden
New York Post by V.A. Musetto