Direct management of homepage and database content
Data analytics on microsite usage, interest in British films and series elsewhere on Telescope, British films and series available across platforms, and more
Functionality that enables engagement with users directly from the microsite (create a campaign, conduct a survey, build a widget)
Successful doctor Rike plans to use her vacation time to fulfill her longtime dream of sailing out to Ascension Island alone. But after a storm off the coast of North Africa, she sees a badly damaged, severely overloaded refugee boat nearby and is forced to face the refugee crisis head-on.
Offering little in terms of exposition and even less when it comes to dialogue, Fischer’s sophomore effort develops character and, eventually, unsettling moral questions entirely through action, playing as a more consciously political companion piece to J.C. Chandor’s similarly taciturn All is Lost.
Admirably, the director maintains the documentary illusion throughout, opting for a third act that finds exactly the right, understated tone, neither glorifying Rike’s role, nor underplaying the character’s more than obvious compassion.
A blunt, breathless, and astoundingly unsentimental morality play that’s told with the intensity of a ticking-clock thriller, Wolfgang Fischer’s Styx is every bit as ominous as its title suggests, and far less fanciful.
Styx is a gripping sea adventure that mixes thrills and spills with thoughtfulness and compassion. The MVP here is Wolff, who superbly etches emotional disintegration alongside amazing physical prowess.
This is "All Is Lost” with a spinning moral compass and a topical dimension that proves even more gripping than its brilliantly achieved visceral action.
Its dizzying strength is as a visceral journey, a detour from the privileged freedom represented by a horizon to the tragic limbo of displacement, an ocean that’s both a confinement and an abyss.
WHAT ARE PEOPLE SAYING?
Be the first to comment about this film.
WHAT ARE CRITICS SAYING?
Screen Daily by
The Hollywood Reporter by Boyd van Hoeij
IndieWire by David Ehrlich
Empire by Ian Freer
Variety by Jessica Kiang
The Playlist by Jonathan Christian
Slant Magazine by Keith Watson
The New York Times by Manohla Dargis
Washington Post by Michael O'Sullivan
Los Angeles Times by Robert Abele