Set in 1962 Hong Kong, Chow Mo-wan and Su Li-zhen rent rooms in the same apartment building as they both suspect extramarital activities of their spouses. As they get to know one another, their mutual attraction becomes evident. However, they agree to keep their bond platonic so as not to commit similar wrongs.
This film is so beautiful—the iconic soundtrack, the costumes, the lighting, everything! A must watch if you want to feel nostalgic for the universal feeling of falling in love.
This film is incredibly moving not despite, but because the writing and performances are beautifully understated. But the costumes, and Mrs. Chan's dresses are as iconic as Grace Kelly's in Rear Window or Cecelia's green dress in Atonement.
An absolutely gorgeous film. The longing between the two characters combined with the beautiful camerawork make this into a truly impactful piece. It really sticks with you. Just a wonderful viewing experience.
Probably the most breathtakingly gorgeous film of the year, dizzy with a nose-against-the-glass romantic spirit that has been missing from the cinema forever.
Wong denies us the satisfaction of resolution, but in sharing his mastery of cinema, and his gift for conveying mood, desire and vivid emotions, he's more than generous.
WHAT ARE PEOPLE SAYING?
This film is so beautiful—the iconic soundtrack, the costumes, the lighting, everything! A must watch if you want to feel nostalgic for the universal feeling of falling in love.
This film is incredibly moving not despite, but because the writing and performances are beautifully understated. But the costumes, and Mrs. Chan's dresses are as iconic as Grace Kelly's in Rear Window or Cecelia's green dress in Atonement.
An absolutely gorgeous film. The longing between the two characters combined with the beautiful camerawork make this into a truly impactful piece. It really sticks with you. Just a wonderful viewing experience.
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WHAT ARE CRITICS SAYING?
The New York Times by A.O. Scott
San Francisco Chronicle by Edward Guthmann
Entertainment Weekly by Lisa Schwarzbaum
Chicago Tribune by Michael Wilmington
USA Today by Mike Clark
New York Magazine (Vulture) by Peter Rainer
Rolling Stone by Peter Travers
Time by Richard Corliss
Salon by Stephanie Zacharek
Philadelphia Inquirer by Steven Rea