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Rated PG-13 · 1h 42m
Love and loneliness lead two policemen to two very different women, one a glamorous criminal, the other an ethereal young server at a late-night restaurant. An ode to 1990s Hong Kong and the brief encounters that define young adulthood.
WHAT ARE PEOPLE SAYING?
Unlike Wong Kar-Wai's "Happy Together," which has an unflinching camera and features moments that are as moving as they are difficult to watch, Chungking Express is immediately more familiar as a film, with an everyman protagonist and a mysterious woman donning a blonde wig, trench coat and sunglasses. The audience is drawn in through intrigue rather than exposition. But this film is anything but unoriginal, and the audience is treated to eccentric delights of human nature. Although heartbreak remains the linking through line, the second story is more joyful than it first seems.
Chungking Express is one of the few films that can make me laugh as much as it makes me cry. Moments of lighthearted humor find their way ever so naturally into this nostalgic, rhythmic, and colorful portrayal of 1990s Hong Kong and its people for whom the daily struggle is coping with loneliness and a burning desire for connection. Wong Kar Wai's iconic cinematography and editing shine in this masterpiece, creating a unique and unforgettable viewing experience.
The characters in "Chungking Express" don’t seem to know who they are. They wander around as loose individuals without families or homes, struggling with heartbreak and desperate for lovers they can never have. All in all, this film is ridiculously beautiful, haunting and surprisingly funny. It's one of my all-time favorites.
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WHAT ARE CRITICS SAYING?
Slant Magazine by
Variety by Derek Elley
ReelViews by James Berardinelli
The New York Times by Janet Maslin
Los Angeles Times by Kevin Thomas
Chicago Tribune by Michael Wilmington
San Francisco Chronicle by Mick LaSalle
Chicago Sun-Times by Roger Ebert
San Francisco Examiner by Walter Addiego