✭ ✭ ✭ ✭ Read critic reviews
France · 2013
2h 8m
Director Robin Campillo
Starring Olivier Rabourdin, Kirill Emelyanov, Daniil Vorobyov, Edéa Darcque
Genre Drama
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One day at the Gare du Nord train station, Daniel, a cautious older man, approaches Marek --- an attractive Ukrainian boy who he assumes to be a prostitute --- and nervously invites him to his home. Yet, while Daniel is expecting a passionate night of love, he receives an unexpected, jarring visit instead..
The Hollywood Reporter by Boyd van Hoeij
Campillo thankfully refrains from offering on-the-nose explications for behavior and decisions, instead letting audiences infer psychology and motivation from on-screen behavior, with the entirely naturalistic performances of Raboudin and Emelyanov beautifully tuned in to each other and the material.
The Guardian by Catherine Shoard
Robin Campillo’s drama is sweet and neat, as ambitious as it is gripping.
Slant Magazine by Clayton Dillard
A ferocious plea for character salvation within a milieu where money and bodily affect are the raison d'être for human existence.
Time Out London by Dave Calhoun
It’s an uneven work, mysterious in its refusal to tell us much at all about Daniel, but it has a ring a truth to it even when it slips into less enigmatic thriller territory.
What a relief to watch this small, expert film — a pane of glass in a concrete wall — that whispers, that dares to stand still and witness ordinary human pain.
New York Post by Farran Smith Nehme
While Campillo does graceful work — the way he draws focus in a scene is a pleasure — the script drags and the pseudo-romance is hard to believe, especially when one plot point concerns Daniel asking for a bulk-purchase sex rate. Eastern Boys never quite fulfills the promise of those first few minutes.
Los Angeles Times by Gary Goldstein
Bold and unsettling, Eastern Boys is a long, strange trip of a film that touches on myriad social, economic and sexual themes.
Campillo’s original screenplay demands any number of trusting leaps from its audience and characters alike, yet maintains credibility thanks to the studied assurance of its most elaborate setpieces, and the wealth of socioeconomic detail in its portrayal of both Daniel’s aging-yuppie lifestyle and the nervous group dynamic of the immigrants.
Miami Herald by Rene Rodriguez
Eastern Boys explores whether these lost boys are damaged beyond repair or are still capable of being saved.
The New York Times by Stephen Holden
Explores interlocking themes of sexuality, immigration and power dynamics with a cleareyed sensitivity and refuses to demonize even its shadiest characters.
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