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The Misfits

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United States · 2021
1h 34m
Director Renny Harlin
Starring Pierce Brosnan, Jamie Chung, Tim Roth, Hermione Corfield
Genre Action, Thriller

After being recruited by a group of unconventional thieves, renowned criminal Richard Pace finds himself caught up in an elaborate gold heist that promises to have far-reaching implications on his life and the lives of countless others.

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What are critics saying?

20

Paste Magazine by

The Misfits, starring Pierce Brosnan and Nick Cannon, is airless, pointless and only passably made; an amalgamation of the most tired clichés of heist movies, executed in the emptiest way possible.

16

The Playlist by Asher Luberto

If you’re in the mood for an action flick without imagination, then The Misfits is the film for you. Recycling genre tropes, characters, and camerawork, The Misfits feels like you’re watching a montage of better movies.

16

IndieWire by David Ehrlich

It’s rarely a good sign when a movie leaves you thinking: “The Renny Harlin who made ‘The Adventures of Ford Fairlane’ would never have stood for this lazy, mean-spirited crap.”

30

The New York Times by Jeannette Catsoulis

For the first 20 minutes or so — a blitz of eye candy and ear worms — its breezy action and the performers’ good cheer are enough to entertain. Too soon, though, the movie drifts into narrative doldrums that derail its momentum and drain the cast’s energy.

50

The A.V. Club by Jesse Hassenger

The Misfits has moments of silliness that bear glancing resemblance to the kind of enjoyable starry, big-studio shlock Renny Harlin used to make, in between the parts that resemble the lower-rent genre efforts he churns out now.

50

Slant Magazine by Mark Hanson

The film is almost refreshing in its flightiness, even as it remains defiantly ignorant of the world in which it exists.

30

Screen Daily by Nikki Baughan

While the titular criminal gang at the centre of this action thriller may be presented as supposedly quirky and unconventional, the film in which they operate is as blunt-edged and cliched as they come.

20

Variety by Peter Debruge

The movie feels like both an advertisement for this posh, ultra-modern oasis and a late-20th-century smear of the people and culture one might expect to find there.

50

Chicago Sun-Times by Richard Roeper

It’s an intermittently entertaining endeavor thanks mostly to the effortlessly suave lead performance by Pierce Brosnan as a career thief who looks like he wakes up wearing a jacket with a pocket square and with his hair perfectly coiffed, but the action sequences are ho-hum, the editing is stunningly clumsy, and the main heist is so cartoonishly ridiculous we don’t even believe the actors believe it’s possible.

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