After a year that’s been marked by the collective anger of the global populace facing disease and inequality, Lost Course feels particularly necessary. It’s a story that will haunt you with the question: is change possible?
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What are people saying?
What are critics saying?
The New York Times by Ben Kenigsberg
[A] sobering, sprawling documentary.
The Hollywood Reporter by Deborah Young
Three hours long yet anything but leisurely, the doc is charged with energy, anger and disappointment.
Los Angeles Times by Robert Abele
This two-part, three-hour film is marked by immediacy and breadth, as if an on-the-fly news bulletin had naturally morphed into the richest of character-driven sagas.
Observational yet authoritative in its approach, Li’s film first paints an inspiring picture, then a dispiriting one.
Slant Magazine by William Repass
What distinguishes the film from ordinary journalism, and what constitutes its intervention in reality, is a difference in timescale.