Genuinely scary, especially when it strays from its lame plot to orchestrate some beautifully chilling set pieces, including one in the world's slowest elevator that'll raise the hairs on the back of even the most weary genre fan's neck.
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Although I have mixed feelings about The Eye, there's no question the Pangs have a natural talent for cinema. They create bright, unfussy images and work terrifically with actors.
Despite an overwrought finale, this stylish horror film is genuinely creepy. See it before the inevitable Hollywood remake.
The Pang brothers bring you into a surrealistically memorable ghost world of the beyond. It's also refreshing to have two forceful young women (Mun and Ling) at the center of the story.
For a while, it's a dark, insubstantial treat.
Part supernatural thriller, part Oliver Sacks-style meditation on the neurological mysteries of perception, and part Buddhist treatise on reincarnation, the story luxuriates in shadows.
Their (filmmakers Oxide and Danny Pang) sense of pacing is nicely arrhythmic, which makes the "boo" moments all the more heart-thudding, but what's even more pleasurable are the pockets of quiet, those lacuna of low-frequency dread when nothing much happens.
This moody Hong Kong thriller puts a stylish new spin on the old "Hands of Orlac" horror motif.
The Pangs are at their best playing in the style sandbox, creating shivery imagery and eerie moods while exploring nothing deeper than irony and unease, as their climax so effectively demonstrates.
Although almost nothing about The Eye is surprising, the movie is nevertheless engrossing, as it mutates from horror movie to ghost story to psychological drama to disaster flick (a late, stunning twist). It casts a spell strong enough that viewers won't want to look away.