Germany, France · 2019
1h 50m
Director Fatih Akin
Starring Jonas Dassler, Margarethe Tiesel, Katja Studt, Martina Eitner-Acheampong
Genre Drama, Thriller, Crime
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A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.
As played with startlingly veracity by Jonas Dassler, there's nothing romantic about him: a deformed nose, shuffling gait, slack-jawed and with a misaligned eye, he looks exactly like the man responsible for the deaths of at least four women in 1970s Hamburg.
For better or worse, Akin’s eye remains a remarkable thing, as he arranges even the most emptily nihilistic parts of The Golden Glove with the gravitas of arresting visual geometry, and casts every role to sick perfection. It’s just his vision that seems to be the problem.
The Hollywood Reporter by Deborah Young
On some level, Fritz’s story is compulsive viewing, only you wish you weren’t there.
Akin has made the true story of a repulsive, grotesque serial killer into a repulsive, grotesque movie, a calamitous misfire for a critical darling of recent German cinema.
The Golden Glove may not celebrate its subject, but the intimate examination it offers him is itself a privilege — one for which this ugly, unenquiring film scarcely makes a case.
Whatever pleasure there is to be found in watching a film like The Golden Glove is in the intellectualizing, and the film does prompt a series of provocative questions about the implicit contract between artist and audience.
The Guardian by Peter Bradshaw
Apart from its grisliness, its hopelessness, and its pointlessness, what strikes you most about this true-crime movie is its brownness.
The Golden Glove is, in the most basic sense, well constructed. It’s also the kind of movie you may end up wishing you’d never seen. Even hardcore Akin devotees should proceed with caution, and be ready for disillusionment. The craftsmanship is there. But Akin’s judgment has gone AWOL, and with it, his heart.
Perhaps the question is not whether the film needed to be so relentlessly grim, but rather whether it needed to be made at all.
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Please login to add films to your watchlist.
A couple find themselves subject to vicious animal attacks after acting with disrespect towards the environment.
Based on Snow White, this adaptation centers on a female bullfighter.
When a devout Christian falls in with an abusive family, the limits of his faith are tested.
Part dog. Part machine. Totally awesome.
WHO IS WHO IN THIS PUPPETRY?
A reflective story of love, duty, and the strain that comes from trying to find what you really want.
Don't Leave The Circle
Wanda expected teenage delinquency, but what she didn't expect was for her daughter to convert to Islam.