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France, Israel, Germany · 2019
2h 3m
Director Nadav Lapid
Starring Tom Mercier, Louise Chevillotte, Quentin Dolmaire, Léa Drucker
Genre Drama

A young Israeli man absconds to Paris to flee his nationality, aided by his trusty Franco-Israeli dictionary.

Stream Synonyms

What are people saying?

What are critics saying?


IndieWire by David Ehrlich

Lapid’s film is too fresh and intransigent to know how well it will age over time or hold up to repeat viewings, but on first blush it feels like a powerful howl that’s hard to hear clearly, and harder still to get out of your head.


The Film Stage by Ed Frankl

As an exercise in depicting the disjointed link between national and personal identity, Synonyms is dazzling. As a portrait of displacement in a world becoming both more globalized and more nationalistic, it is a testament.


TheWrap by Elizabeth Weitzman

Filmmaker and subject also share a disdain for restraint, shouting and jostling to ensure we’ve gotten their point. But while their parallel passions aren’t exactly subtle, they do make their mark.


The A.V. Club by Ignatiy Vishnevetsky

Above all, it’s about the impossible desire, shared by both expats and artists, to forge an identity of one’s own. But whereas the films it quotes sought to create cryptic and contrapuntal meanings, Lapid errs on the side of the loudly obvious, building to a final shot that might as well be a thesis statement for the rest of the film.


Variety by Jay Weissberg

Breathtaking in the way it careens from one scene to the next in a whirlwind of personal and political meaning all but impossible to grasp in full measure, the film is an excoriation of Israel’s militant machismo and a self-teasing parody of Parisian stereotypes, embodied by actor Tom Mercier in this astonishingly audacious debut.


Wall Street Journal by Joe Morgenstern

One word for Nadav Lapid’s Synonyms, a movie with a hero obsessed with words, is astonishing. Other words apply to this Israeli feature, in subtitled French and Hebrew, that’s set in Paris. They include, in no particular order, fascinating, infuriating, frightening, lyrical and befuddling. Plus deadpan funny and frequently stunning as a bittersweet ode to contemporary France, one that’s suffused with New Wave verve.

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