Your Company

Touch Me Not

✭ ✭ ✭   Read critic reviews

Romania, Germany, Czech Republic · 2018
2h 5m
Director Adina Pintilie
Starring Laura Benson, Tómas Lemarquis, Christian Bayerlein, Irmena Chichikova
Genre Drama

On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free.

Stream Touch Me Not

What are people saying?

What are critics saying?


The New York Times by A.O. Scott

You could say that what the film is about lies just beyond the reach of images or words. It’s a necessarily cerebral meditation on the nature of physicality.


The Hollywood Reporter by Deborah Young

Though not every moment is fascinating to watch, most moments are, and adult audiences should find its frank presentation of the diversity of intimacy thought-provoking and possibly therapeutic.


The Film Stage by Ed Frankl

The surprise winner of the Berlinale’s Golden Bear is a film not easily summed up in an elevator pitch. It is, however, a studious, intelligent, if flawed and scattershot, work with an open mind about modern sexuality and intimacy. That open mind will need to be replicated in the audience too.


Variety by Jay Weissberg

Pintilie is the opposite of a misanthrope — she’s genuinely invested in opening the mind to the body’s sensations. Keeping it all balanced is where she gets bogged down.


The Playlist by Jessica Kiang

Less a narrative than an explorative essay, as artificial as it is self-involved, lacking any discernible sense of humor, occasionally a bit silly in execution yet deeply, rigidly earnest in intent, and laboring under that aggravatingly prim, Victorian title: It really does everything it can to make you hate it.


Slant Magazine by Pat Brown

Touch Me Not‘s commingling of narrator and narrative, character and actor, fiction and documentary suggests that cinema itself is capable of being a manner of touch, the site of a nebulous and freeing encounter between people.


Screen International by Wendy Ide

The film does praiseworthy work when it comes to challenging accepted assumptions about what constitutes beauty and sexuality. It does so, however, through a degree of physical and emotional oversharing which some audiences will find deeply off-putting.

Users who liked this film also liked