75
Seen now, the movie seems as timely as it is outdated, its themes contemporary even if its clothing and hairdos are anything but.
What are people saying?
What are critics saying?
70
The New York Times by A.O. Scott
World on a Wire, while too slow and diffuse to count as a lost masterpiece, is valuable in expanding our sense of what Fassbinder could do and is also a source of much visual and intellectual pleasure in its own right.
70
A bit of a slog at 205 minutes, World on a Wire builds up to a satisfyingly nutty finale.
100
World on a Wire is the discovery of the season, rarely screened in America but very much a key chapter in Fassbinder's story--a step toward bigger budgets and slicker production values, yet clarifying of his core artistic legacy.
75
Chicago Sun-Times by Roger Ebert
World on a Wire is slowed down compared to most Fassbinder. He usually evokes overwrought passions, sudden angers and jealousies, emotional explosions, people hiding turmoil beneath a surface of pose. Here there's less of that emotional energy. But if you know Fassbinder, you might want to see this as an exercise of his mind, a demonstration of how one of his stories might be transformed by the detachment of science fiction.
91
Portland Oregonian by Shawn Levy
Genuinely breathtaking.
63
Slant Magazine by Simon Abrams
Fassbinder's sumptuous 205-minute epic is intriguing as a prototype for later and more palatably cynical sci-fi standards like "Blade Runner" or even "Total Recall."