Silent Souls(Ovsyanki)

New York Post by

At a little over an hour, Silent Souls is hardly long, yet the camera's repeated focus on the wintry, gray country road they're traveling can feel somewhat ponderous -- like life itself, as one of the guys in the film might wryly point out.

Slant Magazine by Chris Cabin

Folklore, rituals, and the past weigh heavily on Silent Souls, which is somewhat endemic of films from Fedorchenko's home country of Russia.

Village Voice by J. Hoberman

Dour yet affirmative, this laconic, deliberately paced, beautifully shot movie seeks the archaic in the ordinary - and, though somewhat off-putting in its diffidence, largely succeeds.

The New York Times by Jeannette Catsoulis

Silent Souls is part folk tale, part lesson in letting go. In its quiet acceptance of the passing of time, this unusual film reminds us that to die is not always the same as to disappear.

Time Out by Keith Uhlich

Even at a mere 75 minutes, Silent Souls is thrillingly dense and allusive, and the elegiac finale maintains the overall air of mystery while beautifully bringing all the disparate threads together.

Los Angeles Times by Kevin Thomas

Silent Souls is a marvel. Fedorchenko's expressive powers and his visual prowess are astonishing, and though the film's conclusion is abrupt and confounding, it feels right.

Variety by Leslie Felperin

Beautifully assembled, but emotionally inert despite its focus on bereavement and love's endurance, Russian art film Silent Souls reps at the very least a significant step up for its helmer, Aleksei Fedorchenko.

Christian Science Monitor by Peter Rainer

Much of the film is wordless, and apparently some of the Merjan ritualism is a concoction of the filmmakers. There's a trancelike quality to its best moments, but too much of it is artfully boring. Silent Souls is at the opposite extreme from Hollywood – it's all mood. Be careful what you wish for.