San Francisco Examiner by Barbara Shulgasser
This movie is a pleasure, an entertainment and an admirable artistic achievement.
✭ ✭ ✭ ✭ Read critic reviews
France · 1996
1h 47m
Director Jacques Audiard
Starring Mathieu Kassovitz, Anouk Grinberg, Sandrine Kiberlain, Albert Dupontel
Genre Drama, War
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Albert Dehousse longs to be a war hero but is denied military service because his mother is a war widow. When he finds out that his parents were Nazi collaborators, Albert leaves his home to join the French Resistance, passing himself off as a hero despite his sheltered life.
San Francisco Examiner by Barbara Shulgasser
This movie is a pleasure, an entertainment and an admirable artistic achievement.
New York Daily News by Jami Bernard
Jacques Audiard's amusingly stinging A Self-Made Hero toys with the subjectivity of historical truth by presenting one Albert Dehousse (Mathieu Kassovitz), loser, cipher, liar. But a brilliant liar. [12 Sept 1997, p.44]
The New York Times by Janet Maslin
But this miracle of self-invention has more virtue in the abstract than it does on screen.
The Seattle Times by John Hartl
This is a confident, playful film that skewers both the amorality of the central character and, less comfortably, the gullibility of the people he so easily dupes. [5 Dec 1997, p.G5]
Audriad's film articulates an uncomfortably familiar vision of a nation desperate enough to believe its own lies, where the copy is inevitably much better than the real thing and heroes are only as genuine as one needs them to be.
Los Angeles Times by Kenneth Turan
Smart and provocative.
This sure-footed, deeply ironic comedy about an impostor who rises through the ranks is rock-solid entertainment with an appealing edge.
San Francisco Chronicle by Peter Stack
Director Jacques Audiard beautifully lays out the story of a charming nobody named Albert who becomes a master of the half- smile and nonchalant gestures of deceit. But the story is also a cogent metaphor for French collaboration with the Nazis.
Chicago Sun-Times by Roger Ebert
His film is more subtle and wide-reaching, the story of a man for whom everything is equally unreal, who distrusts his own substance so deeply that he must be somebody else to be anybody at all.
Austin Chronicle by Russell Smith
[A] distinctive, thought-provoking film.
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