Fitfully enjoyable, the film's leaden pacing and drawn-out running time make the twists of the plot less hairpin turns and more like bends in a river - moving so slowly you can see everything coming from the distance.
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Though the picture is respectful of the heist-film template -- the gathering of the crew, the readying of props, the planned circumvention of all obstacles -- its main imperative consists of placing Kahn in impossible situations and watching him trick or strongarm his way out.