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If I Want to Whistle, I Whistle(Eu cand vreau să fluier, fluier)

✭ ✭ ✭   Read critic reviews

Romania, Sweden, Germany · 2010
1h 34m
Director Florin Şerban
Starring Ada Condeescu, Pistireanu George, Mihai Constantin, Clara Voda
Genre Drama

Two weeks before being released from prison, teenager Silviu's life devolves into chaos as his mother returns home from Italy and threatens to leave the country with his brother, and he finds himself falling in love with a Sociology student, Ana, who's working in the penitentiary as an intern.

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What are critics saying?

60

The New York Times by A.O. Scott

As the movie becomes more explosive - and more demanding of its cast - it loses some of the quiet, careful intensity that made Silviu's situation worth attending to in the first place. The seams of the narrative start to show, and by the end you are more aware of the filmmakers' ideas than of the character's life.

80

Salon by Andrew O'Hehir

Offers an introduction to the lean-and-mean, social-realist Romanian storytelling style that's built around a charismatic young actor and a familiar genre.

75

IndieWire by Eric Kohn

Set in a barren juvenile detention center, the movie works as a grueling coming-of-age story, linking it to the likes of "4 Months, 3 Weeks and 2 Days," even if it lacks the same lasting appeal.

70

Village Voice by J. Hoberman

It's a measure of the movie's success that one oscillates between two despairs-noting the abject failure of the system and the utter futility of revolt.

40

New York Daily News by Joe Neumaier

A steady thrum of anger pervades this Romanian film even in its quietest moments, but the ending and captured-lost-boys setting ultimately fail to surprise.

60

Time Out by Keith Uhlich

Despite the faux-realist aesthetic (gritty handheld camerawork; all-natural sound), we never feel like much is at stake, though Pistereanu and Condeescu have an easygoing rapport that makes the quieter moments between them affecting.

75

New York Post by V.A. Musetto

Whistle is the feature debut of director-writer Florin Serban, who studied at Columbia University and lists among his influences Robert Bresson, Pedro Almodovar, Bruno Dumont and Ken Loach.

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