Greg Francis’ writing and directing feature debut plays like a thoroughly mundane mashup of grim David Ayer cop movies like Training Day, neo-noirs like The Usual Suspects, and green-tinted, subterranean torture flicks like Saw for long enough that when Francis turns out to have an ace up his sleeve, it’s a genuine surprise. Not enough to put the movie into the black, but enough to mark him as a talent to watch.
What are people saying?
What are critics saying?
Flashbacks within flashbacks exhaust viewer patience in this snarky mix of crime, action and sadism.
The Hollywood Reporter by Frank Scheck
This mash-up of cop thriller and torture porn features some clever twists and provides the opportunity for some terrific characters actors to strut their stuff. But Poker Night ultimately deals a losing hand.
Los Angeles Times by Martin Tsai
Francis has a few moments of inspiration, nonchalantly deploying visual gags. If he were going for cult status, perhaps gonzo is the way to go. The rest of his stylistic flaunts, plot twists and contrivances are joyless.
The players are good, with Mirchoff earnest and young as a nice contrast to the salty, rough-and-tumble elders, especially the iconic screen heavy, Perlman. It’s just that when the last card is dealt on this Poker Night, Francis isn’t content to let the best hand win.