As father and son argue and reunite every few minutes, accompanied by veeery slow violin music, Sunflower plays less like the epic it aspires to be than an episode of "Full House: Beijing."
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With a commanding performance by Sun Haiying as the unbending, ornery father, and a glammed-down Joan Chen remarkable as the boy's devoted mom, pic serves up solid dramatic values instead of being yet another panorama of social and political changes in China during the late 20th century.
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The New York Times by Jeannette Catsoulis
Like Douglas Sirk without the throw pillows, Sunflower is a shamelessly old-fashioned melodrama performed with such sincerity that resistance is futile.