70
The New York Times by A.O. Scott
Such an accurate depiction of cramped spirits, small-mindedness and men unable to make changes in their lives takes its toll. Distant feels as if it's going nowhere in no particular hurry, and finally leaves us distant from its characters.
80
The New Yorker by Anthony Lane
What is most winning about Distant is that it can peer past the grief and find a scrap of comedy. [15 March 2004, p. 154]
100
Christian Science Monitor by David Sterritt
Mood, atmosphere, and character are more important than story twists in this unassuming, acutely observant drama.
90
Variety by David Stratton
An arthouse film par excellence, a consummately made study of loneliness and frustration.
75
New York Daily News by Elizabeth Weitzman
Long stretches go by without dialogue or discernible action. But there are significant rewards for those willing to accept the movie's deliberate pace.
70
Village Voice by J. Hoberman
Thoughtfully orchestrated and filled with visual wit.
80
TV Guide Magazine by Ken Fox
There's also very little dialogue, but what there is is often very funny, and Ceylan is a master of the dead-pan visual gags that reveal volumes about his character.
100
Entertainment Weekly by Lisa Schwarzbaum
Ceylan, who also served as cinematographer, frames the affecting, unstudied performances in gorgeously chosen shots and nonevents that sometimes teeter on the edge of comedy before knocking us breathless with their emotional power.
60
The New Republic by Stanley Kauffmann
The film might be called a moral travelogue. Instead of showing us mosques and tourist spots in beguiling old Istanbul, it follows a couple of ordinary Turkish men in drab surroundings and affirms that they breathe the same doubt-laden air as much of the rest of the world.
88
New York Post by V.A. Musetto
If "Starsky & Hutch" is your idea of art, keep your distance from Distant, the droll new movie from maverick Turkish director Nuri Bilge Ceylan. If, on the other hand, you're searching for something that will remain with you long after leaving the theater, run, don't walk, to Distant.