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Yesterday

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United Kingdom, China, Japan · 2019
Rated PG-13 · 1h 56m
Director Danny Boyle
Starring Himesh Patel, Lily James, Joel Fry, Ed Sheeran
Genre Comedy, Romance, Fantasy, Music

A struggling singer-songwriter wakes up one day to realize that he’s the only person in the world who remembers The Beatles. Using this knowledge, he devises a plan to become a major star. But as his career takes off, he risks losing the one person who always believed in him. Is love all you need?

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What are people saying?

Ting Shing Koh Profile picture for Ting Shing Koh

Not exactly a biographical film of The Beatles, Yesterday presents an interesting take on the band's illustrious discography. Humorous, charming, and slightly emotional at times, this film is a must-watch for anyone seeking a laugh. It doesn't hurt that the soundtrack's all classics too!

What are critics saying?

40

TheWrap by Dan Callahan

Curtis’s twee, nudging, corny comedic voice is very much the main sensibility here, far more so than anything offered by director Danny Boyle or anyone else involved.

90

Empire by Helen O'Hara

A glowing tribute to The Beatles and their music, this is both a toe-tapping pleasure to watch and a smart, occasionally scathing look at how we get things wrong.

40

The Hollywood Reporter by John DeFore

Neither a no-nonsense delight like "She Loves You" nor the White Album-style head trip its premise might suggest, it's more of a "Yellow Submarine" sort of film: crowd-pleasing and sometimes enjoyable, but pretty damned dumb when you stop to think about it.

80

IGN by Matthew Dougherty

Yesterday doesn’t take too many chances, but it does boast a well-told story with a cast that’s game for both its comedic and more dramatic moments.

40

Uproxx by Mike Ryan

It has a killer premise, yet the movie seems to actively resent its own fantastic idea and just, instead, decided to become a fairly average romantic comedy — only with a lot more Beatles songs than the average rom com.

40

Variety by Owen Gleiberman

In Yesterday, [Boyle and Curtis] reduce the Beatles to the ultimate product by declaring, at every turn, “These songs are transcendent!” And it’s the fact that they keep telling us, rather than showing us (i.e., with musical sequences that earned their transcendence), that makes Yesterday, for all the timeless songs in it, a cut-and-dried, rotely whimsical, prefab experience.

80

The Guardian by Peter Bradshaw

Although this film can be a bit hokey and uncertain on narrative development, the puppyish zest and fun summoned up by Curtis and Boyle carry it along.

80

The Telegraph by Robbie Collin

The film has lots of fun with its premise – until America beckons, then suddenly it seems to lose its head of steam. ... Yet it rallies in style for a beautifully judged and surprisingly moving finale.

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