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Orphan: First Kill

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United States · 2022
1h 39m
Director William Brent Bell
Starring Isabelle Fuhrman, Julia Stiles, Rossif Sutherland, Hiro Kanagawa
Genre Horror, Thriller

After escaping from an Estonian psychiatric facility, Esther travels to America by impersonating the missing daughter of a wealthy family. Yet, an unexpected twist arises that pits her against a mother who will protect her family at any cost.

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What are critics saying?


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First Kill is a smart, tight film that fits perfectly into what the first Orphan film set up over a decade ago.


Slashfilm by Chris Evangelista

David Coggeshall's script has more than a few tricks up its sleeve, including some jaw-dropping twists that I will confess I did not see coming. It makes sense — the first film had a jaw-dropping twist too, after all. The twist feels fresh and exciting here, and changes the entire film in a way that's wickedly enjoyable.


The Independent by Clarisse Loughrey

There’s a surprising amount to enjoy here, with director William Brent Bell (behind The Boy franchise, with its equally ludicrous premise centered on a haunted doll), making the smart decision to turn the unintentional camp of Orphan into intentional camp, alongside adding a dose of satire about the corruptive pressures of the nuclear family.


Consequence by Clint Worthington

Orphan: First Kill is an almost impossible film to put your finger on, walking that incredible tightrope between chintzy direct-to-video schlock and purposeful, delightful camp. It looks like a BBC production shot for $5, but that leans even harder into its Lifetime-movie-on-crack presentation (and lets you grade its moments of visual grace on a massive curve).


The A.V. Club by Courtney Howard

Offering the winning combination of a subversive spin on a well-established villain, Orphan: First Kill is a gnarly, wild and absolutely demented ride.


TheWrap by Lena Wilson

“First Kill” takes the best part of its predecessor — its camp value — and dials things up to 11, delivering a movie that demands to be seen at rowdy theaters and sleepovers worldwide.


The Guardian by Leslie Felperin

The most disappointing thing about the film is that it has none of the spark or originality of the first one and just parasitically drains its source material, incorporating details like the creepy black-light drawings and the borderline paedophilic subtext without adding anything substantial.


IGN by Matt Donato

Orphan: First Kill doubles down as a prequel about Esther but manages to feel so uniquely standalone thanks to some supreme storytelling swings.


Austin Chronicle by Richard Whittaker

What makes Orphan: First Kill worthwhile is that it acknowledges the original before taking a hard left turn into overblown soapy madness. The modern gothic of the first film transforms here into a perfectly fitting explosion of operatic schlock.

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