It's in the script, however, that del Toro the writer falls a wee bit short of del Toro the visionary.
What are people saying?
What are critics saying?
New York Magazine (Vulture) by David Edelstein
The best scene is when Hellboy and Abe get drunk and sing out raucously, which after "Hancock" suggests a trend toward superhero alcoholism.
Charlotte Observer by Lawrence Toppman
Fanboys won't mind the absence of depth or emotion; they may even welcome it for making the film more representative of its comic-book origins. The rest of us, however, cannot rejoice at the overspending and overkill likely to come in Hellboy III.
Austin Chronicle by Marc Savlov
It's not perfect -- thank Satan! -- but Hellboy II: The Golden Army is by far the most splendidly imaginative and creatively uncorked piece of fantastic cinema since the director's "Pan's Labyrinth" netted an Oscar trifecta in 2007.
Chicago Tribune by Michael Phillips
The movie overall is engaging, though it's more cavalier regarding story and relentless in its action than its predecessor.
The Hollywood Reporter by Michael Rechtshaffen
With writer-director del Toro given free license to go where his singular vision takes him, Hellboy II plays like Guillermo's Greatest Hits with even hotter visual effects.
Entertainment Weekly by Owen Gleiberman
The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.
Chicago Sun-Times by Roger Ebert
Imagine the forges of hell crossed with the extraterrestrial saloon on Tatooine, and you have a notion of Guillermo del Toro's Hellboy II: The Golden Army.