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While Close's testimony is sufficiently terrifying, moving toward an apocalyptic vision of climate-change catastrophe, the urgency of her tone is belied by the placidity of the film's visuals.

The New York Times by Jeannette Catsoulis

We've heard it all before, if not in the schoolmarmish tones of Glenn Close, whose patronizing narration ("The earth is a miracle") makes the film feel almost as long as the life of its subject.

New York Daily News by Joe Neumaier

More mournful than alarmist, Arthus-Bertrand's film goes beyond global warming to look at life out of balance, through a lens darkly.

Time Out by Keith Uhlich

We certainly need all the ecological jeremiads we can get. But must they be so numbingly pedantic?