Highlander

Washington Post by

The camera style is grotesquely overwrought, a relentless exercise in technique for technique's sake. It's all here, folks: fancy wipes, expressionistic angles, quick-cut close-ups, stylized backlighting, camera moving in endless illogic. It's as if a 15-minute history of film technique had been compiled by a psychotic. [19 Mar 1986, p.B9]

Miami Herald by Bill Cosford

Mulcahy has style to burn, but he may well have used the script to light it, for Highlander almost never makes any sense. [11 Mar 1986, p.B4]

Chicago Tribune by Gene Siskel

About halfway through the violent, fantasy adventure Highlander, one character talks about how it was the custom during ancient times to throw babies into a pit of hungry dogs. Well, there were more than a few times during this hyperviolent film in which I felt as if I were a baby being thrown to a dog of a movie.

The Globe and Mail (Toronto) by Jay Scott

Highlander's flashy style is the cinematic equivalent of a Las Vegas chorus line: always kicking. Without Lambert, who displays an unexpected comic talent along with intensely photogenic passive-aggressive eyes, and Roxanne Hart, whose knowledgeable portrayal of a New York detective is undercut by the symphony of screams extracted from her toward the end, and Connery, who wears a pearl-drop earring and is supposed to be Spanish but still has the burr and brio of James Bond, Highlander would be little more than an everlasting video; it's not much more than that, as it is. [10 Mar 1986, p.C9]

Los Angeles Times by Sheila Benson

In spite of a sturdy cast and dazzling production design, Highlander is stultifyingly, jaw-droppingly, achingly awful.[11 Mar 1986, p.5]