While the real-time aesthetic approach sporadically enthralls, it also reveals the narrow worldview that burdens the film.
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The men's faces often vanish as they go underground, threatened with permanent disappearance: the risk of dynamite bursting early, or of rope breaking and leaving them trapped. The filmmakers find those faces again in private interviews above ground, each miner sitting away from the others to discuss how he feels about the job.
The New York Times by Jeannette Catsoulis
A noncommittal, occasionally surreal portrait of hardscrabble lives and omnipresent risk.
The Hollywood Reporter by John DeFore
Well-lensed observational doc exposes an obscure economic reality in Mongolia.
A scrappy portrait of half a dozen renegade gold-diggers.