63
The film forsakes most of the underdog sentimentality found in traditional genre treatments of noble sacrifice.
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70
A war film consumed with waiting.
60
The New York Times by Nicolas Rapold
Mr. Meyer adheres to a cinema of broad experience by casting rugged but uninspiring nonprofessionals and focusing on the rebels’ long, lonely struggle rather than on triumph and tactics.
70
The final days of a band of 1930s Christian rebels in the central Mexican wilderness are depicted with majestic stoicism in Matias Meyer’s elegant ode to independence.