Washington Post by Desson Thomson
There's a little too much over-the-top drama, as well as superfluous detail, in this Icelandic film.
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Iceland, France, Norway · 2002
1h 49m
Director Baltasar Kormákur
Starring Gunnar Eyjólfsson, Hilmir Snær Guðnason, Hélène de Fougerolles, Kristbjörg Kjeld
Genre Drama, Comedy
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Wealthy, aging patriarch Thordur assembles his scattered heirs in his remote Icelandic fishing village to discuss the future of the family fishery. But bringing everyone together unleashes a storm of long-repressed dark family secrets.
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Washington Post by Desson Thomson
There's a little too much over-the-top drama, as well as superfluous detail, in this Icelandic film.
New York Daily News by Jami Bernard
Dysfunction seeps from every pore of this family, and the anger and ugliness of the characters overwhelm not just the story but the movie's stunning National Geographic location.
Old family secrets and fresh entanglements snake through the intricate plot like the tendrils of a particularly poisonous strain of ivy that flourishes only in the hot-house atmosphere of tiny towns, whatever the outside temperature.
Dallas Observer by Luke Y. Thompson
As family reunion trauma flicks go, The Sea is by no means up to the standards of Thomas Vinterberg's "The Celebration," but it does make clear that Kormákur is a director whose evolution will be interesting to watch.
Austin Chronicle by Marrit Ingman
Theres not a sympathetic character in the bunch.
New York Post by Megan Lehmann
An exploration of the way the sins of the father trickle down to his offspring, is dense with quirky characters and subplots all woven into a rather heavy-handed meditation on the evils of globalization.
Chicago Tribune by Michael Wilmington
The Sea isn't just brooding Scandinavian domestic tragedy, a lesser Bergman-Ibsen pastiche. It's also hilarious and rowdy, and it plays with our sympathies and expectations in such surprising ways, with such brilliant actors, it's easy to see why it won the equivalent of eight Icelandic Oscars.
San Francisco Chronicle by Mick LaSalle
A particularly strong family drama, and the Icelandic setting helps, adding a touch of the exotic.
Portland Oregonian by Shawn Levy
There's a handful of good scenes (some of the vengeance that's wreaked is priceless) and it's generally well-played. But the soul of the thing isn't distinct enough from the bitterness it portrays.
You may have to be from Iceland to take dialogue like ''You can't freeze love like a gutted fish'' with a straight face.
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