Amelio might just be trifling around, and sometimes that's how the film feels — rudderless and unsure of its own purpose. If fuzzy thematic thrust doesn't bug you, however, the essence of Albanese as a shrugging everyman for post-debt-crisis Europe may be its own reward.
Amelio’s latest, Intrepido: A Lonely Hero, reveals the same strengths and weaknesses as his work two decades ago—an appealing sincerity and social awareness, dogged by a mile-wide sentimental streak. In this case, when Intrepido tilts from whimsical comedy to metaphysical drama, it falls right off the cliff.
Director Amelio turns Antonio's brief stint at a "real" job into a piercing and visually striking glimpse of hypocrisy and corruption — a glimpse too of the film that might have been.
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