This is merely a vanity project that shamelessly plugs Roitfeld’s new stateside brand.
What are people saying?
What are critics saying?
Slant Magazine by Diego Semerene
It's to Carine Roitfeld's own credit and director Fabien Constant's funky and frenetic pacing that the doc feels neither like a corporate hagiography nor like mere fashionista masturbation material.
New York Daily News by Elizabeth Weitzman
As vanity projects go, this one’s unusually well-made — as any portrait of an iconic stylist ought to be.
The Hollywood Reporter by Frank Scheck
Mademoiselle C should please fashion devotees while leaving everyone else scratching their heads.
The Dissolve by Genevieve Koski
More of a fawning love letter than a nuanced profile of a woman who surely must be more fascinating than she comes off here.
The New York Times by Miriam Bale
The filmmaking has some of the wit and irreverence of its subject, but goes on meandering tangents rather than having a cohesive vision or tone.
High in gloss if not necessary insight, this is manna for fashion fans but a marginally slighter piece of work than The September Issue.