Director Marielle Nitoslawska's faith in the power of imagery over pedantic exposition rewards the audience with a heady catalogue of Schneemann's luscious paintings, expressionistic collages, hand-illustrated journals, visceral photographs, and excerpts from her corporeal films.
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The Hollywood Reporter by John DeFore
However off-putting this fragmentary approach might be for those who'd prefer a clean chronology of important works and their assimilation into academic histories of art, it's clear by the end that the aesthetic fits the subject like a glove.
The New York Times by Manohla Dargis
Breaking the Frame is a tantalizing teaser for a story that still needs to be told.
Slant Magazine by Nick McCarthy
Director Marielle Nitoslawaska's experimental approach sometimes wanders down uncontextualized paths and obfuscates the subject with filmic affectations.