Dark Touch

Village Voice by Alan Scherstuhl

Dark Touch, like much of the best horror, works the fears that connect to real life.

Slant Magazine by Ed Gonzalez

The film is beholden to a strange internal logic that gives primacy not to its protagonist's suffering, but to its maker's thirst for fun.

The Playlist by Gabe Toro

It's unfortunate that commercial considerations seem to play into the third act, adding a more concrete representation of a very abstract idea.

The New York Times by Jeannette Catsoulis

That space between reality and mirage is where Ms. de Van’s strength, and this movie’s true horror, lies.

The Dissolve by Noel Murray

Dark Touch is meant to touch a nerve, not merely spook. It’s about deeper fears, and realer monsters.