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The Good Lie

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Kenya, India, United States · 2014
1h 50m
Director Philippe Falardeau
Starring Reese Witherspoon, Corey Stoll, Thad Luckinbill, Sarah Baker
Genre Drama

A young refugee of the Sudanese Civil War wins a lottery for relocation to the United States with three other lost boys. They all develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to his new life and his feelings of guilt about the brother he left behind.

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What are critics saying?

50

The A.V. Club by Ignatiy Vishnevetsky

It’s a sappy, but occasionally sensitive, coming-to-America story that hits all of the familiar beats. It has one very big problem, though, and she’s played by Reese Witherspoon.

60

Time Out by Keith Uhlich

For a while it’s a low-key fish-out-of-water comedy (with McDonald’s as one of its many obvious punch lines), then it morphs into a cumbrously sentimental tale of redemption.

25

The Playlist by Kevin Jagernauth

The Good Lie is so manufactured around a particular dramatic blueprint that any sense of spontaneity, surprise and engagement are sucked right out of the picture.

67

Austin Chronicle by Kimberley Jones

Canadian director Philippe Falardeau (Oscar nominee for Monsieur Lazhar) films these early, subtitled scenes mostly with a documentarian’s observational remove and slightly shaky camera – an effective way to dramatize the horror of war without exploiting it, tarting it up with Hollywood techniques.

80

The Hollywood Reporter by Leslie Felperin

The Good Lie is a touching, generous-hearted movie, sensitively directed by Philippe Falardeau (Monsieur Lazhar) working with a smart, sly, long-gestated script by Margaret Nagle (Boardwalk Empire).

75

New York Post by Lou Lumenick

The Good Lie may not be anything like Witherspoon’s version of “The Blind Side” (as the ads also imply), but it’s a heart-tugger that’s definitely worth seeing.

70

Variety by Peter Debruge

Falardeau actually spent time filming in Sudan for a completely different project back in 1994 before being forced to evacuate by the U.N., but he consciously decides not to rub our noses in tarted-up awfulness, opting for steady-footed lensing and subdued music, then trusting our imaginations to fill in the horrors.

88

Observer by Rex Reed

The heart of the film derives from the fact that the more they all get to know each other, the more they all mature and their differences blend. The title comes from a lesson in Huckleberry Finn—that a lie is good if it helps others, the way Huck lied to save Jim from the slave traders.

75

McClatchy-Tribune News Service by Roger Moore

Rambles a bit and telegraphs its ending. But its earnestness in reminding us of this story and just what America represents to the world’s rising tide of refugees, and why, makes it a winner, a valuable history lesson wrapped in a feel-good bow.

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