40
Ridley though is consistent and sort of revelatory, an actor who has struggled to find her footing post-franchise as is often the case, delivering a surprisingly nuanced and deeply felt performance.
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What are critics saying?
67
The Playlist by Gregory Ellwood
It goes without saying that Lambert’s skill at stating the film’s surreal moments is genuinely impressive. She collaborates with cinematographer Dustin Lane and art director Robert Brecko to stage images that stick with you long after you leave the theater. But, outside of a showcase moment for Ridley in the movie’s third act, there isn’t much else that does.
67
If laudable for the ways in which it can find comedy in the banal, and for showing a new side of Ridley, one wishes Sometimes I Think About Dying ultimately left more of a finite impression considering its weighty, universal subject matter.
75
The end result might be expected, but Ridley and Lambert do winning work to get us there.
70
The Hollywood Reporter by Lovia Gyarkye
Sometimes I Think About Dying, then, is a graceful treatise on how challenging — but liberating — it can be to make connections.
70
Anchored by strong performances from Daisy Ridley and Dave Merheje, the film has pacing issues, but it's emotionally resonant, humorous, and relatable.
80
We Got This Covered by Martin Carr
If anything, Sometimes I Think About Dying is an ultimately optimistic film, which feels life affirming and poignant in parts. That it also affords Ridley one of the best roles she has had in recent memory, only makes this more of an intriguing proposition.
50
It’s a thin, practically anemic observational movie for audiences who recognize themselves in Fran’s awkwardness.
70
It’s a performance that’s so far afield of the loud flash and melodrama of Star Wars that Ridley seems almost introduced anew.
91
Sometimes I Think About Dying is a dark comedy of restraint and quiet, but that silence holds an incredible amount of power and emotion. Ridley gives what might be her best performance, and Lambert knows exactly how to balance the delicate mood of the film.