One of the year's worst releases. A second viewing of "Synecdoche" would be less painful.
What are people saying?
What are critics saying?
A self-indulgent and icky film, but reasonably well made and undeniably addictive.
The Hollywood Reporter by Frank Scheck
Ultimately, the film doesn't succeed in its thematic aspirations, proving yet again that great literature doesn't usually transfer successfully to the screen.
Glowna presents this smoky German feature as an elegy for lost youth, but it's so tumescent with male self-pity that I couldn't wait for it to end.
The New York Times by Jeannette Catsoulis
Not even the august presence of Maximilian Schell can dispel the odor of fusty smut that clings to House of the Sleeping Beauties, a clammy meditation on sex, death and the endless fascination of unclothed innocence.
Chicago Sun-Times by Roger Ebert
House of the Sleeping Beauties has missed its ideal release window by about 40 years. It might -- might -- have found an audience in that transitional period between soft- and hard-core.
It would be easy to dismiss House of the Sleeping Beauties as a lewd male fantasy, but that would be ignoring the German film's deeper purpose as - in the words of the director, Vadim Glowna - a meditation on "transition, remembrance, mourning, guilt, loneliness, sex and death, eroticism and dying."