*Corpus Callosum

The New York Times by A.O. Scott

A playful parlor trick, a departure from the performance-art films that have made this director's reputation. In keeping with his lighter side, *Corpus is also fun; imagine a Looney Tunes segment or an episode of Nickelodeon's "Kablam!" directed by Red Grooms.

Christian Science Monitor by David Sterritt

Snow is a full-fledged genius who enlarged the fundamental horizons of cinema with his classic "Wavelength," but here his aesthetic and philosophical ideas don't quite keep pace with his technological boldness.

Village Voice by J. Hoberman

The Canadian painter-photographer-filmmaker-musician gives full vent to his genius in this exhilarating perceptual vaudeville, titled for the "central region" of tissue that acts as a conduit between the brain's two hemispheres.

New York Post by Lou Lumenick

A challenging experimental film that will never play in a commercial movie theater and is settling in for a two-week run at the ever-venturesome Film Forum.

TV Guide Magazine by Maitland McDonagh

For all its tongue-in-cheek toying with images, it doesn't reward attempts at serious intellectual analysis. It has the air of a surprisingly juvenile lark, a pop-influenced prank whose charms are immediately apparent and wear thin with repetition.

The Globe and Mail (Toronto) by Ray Conlogue

Surprisingly entertaining.

Variety by Scott Foundas

Watching *Corpus Callosum and marveling at its sprightliness, its joyous, imaginative air, its effortless attenuation to all that is wonderful and horrible and comical about modern technology, makes you want to jump up and shout for joy, too.