Diana

Variety by

While mostly swerving past the pitfall of tastelessness, this sincerely intended account of the last two years of Princess Diana’s life risks an even more perilous roadblock: dullness.

Village Voice by Amy Nicholson

Diana is a Lifetime movie in sensible pumps, at once too silly to be taken seriously, yet so self-serious it rarely allows us to giggle.

Empire by Angie Errigo

More terrible and tacky than one could have imagined, it will soon be forgotten and consigned to the True Movies channel to play alongside television movies about Karen Carpenter, Jayne Mansfield and Jackie Kennedy.

Time Out London by Cath Clarke

A right royal mess.

The Telegraph by David Gritten

It’s hardly fascinating. It doesn’t offer new facts about the Princess’s life. And it certainly doesn’t explain her complexity or contradictions.

Time Out by Joshua Rothkopf

Watts’s work is extraordinary, sometimes keying off the same illicit register as "Mulholland Drive"; she risks being goofy, awkward and bratty.

New York Post by Lou Lumenick

The schmaltzy Diana is directed at a dirge-like pace by German director Oliver Hirschbiegel, whose film “Downfall’’ depicted the final days of Hitler and provided one of the Internet’s most enduring memes.

The Guardian by Peter Bradshaw

Poor Princess Diana. I hesitate to use the term "car crash cinema". But the awful truth is that, 16 years after that terrible day in 1997, she has died another awful death.

McClatchy-Tribune News Service by Roger Moore

Watts masters Diana’s look — the way she carried her head and used those wide, coyly expressive eyes — but is only passable at impersonating the voice.

The Hollywood Reporter by Stephen Dalton

Halfway between a guilty pleasure and a missed opportunity, it makes the crucial mistake of treating curious viewers like deferential subjects, demanding far more sympathy than it deserves.