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Bellamy

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France · 2009
1h 50m
Director Claude Chabrol
Starring Gérard Depardieu, Clovis Cornillac, Marie Bunel, Jacques Gamblin
Genre Crime, Drama

While on his yearly getaway with his wife, Chief Inspector Bellamy is roped into an investigation involving insurance fraud while also juggling the sudden appearance of his troublesome, alcoholic stepbrother. So much for vacation.

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What are critics saying?

70

Variety by

This upscale talkfest, which delights in its witty banter and sly references, could be helmer's most commercial work in quite some time.

80

The New York Times by A.O. Scott

The ease and professionalism that distinguished this prolific director's later work is very much in evidence, as is an insouciant attitude, at once resigned and dismissive, toward mortality.

80

The New Yorker by Anthony Lane

This final film -- after so many dazzling studies of adultery, such as "La Femme Infidele (1969) -- is a touching and unfashionable hymn to married love. [1 Nov. 2010, p.121]

80

NPR by Ella Taylor

Inspector Bellamy is dedicated to the memory of two famous Georges: the drily ironic singer Brassens, and Georges Simenon, whose crime novels go for the jugular of bourgeois France - and dig deep into the black hearts of those who, just when they imagine they have hit bottom, can always sink lower.

50

Los Angeles Times by Gary Goldstein

Recently deceased master filmmaker Claude Chabrol's 50th and final feature, Inspector Bellamy, proves a sadly bland footnote to an illustrious and influential career.

60

Time Out by Keith Uhlich

Depardieu and Cornillac's sibling rivalry, which segues between mostly verbal smackdowns and liquored-up bursts of merriment, is beautifully observed, as is the relationship between the detective and his devoted wife (the wonderful Marie Bunel). The thriller stuff, by comparison, is just a lot of perfunctory deadweight.

75

New York Post by Kyle Smith

Inspector Bellamy leaves a sense not unlike a summary of Chabrol's entire career -- of guilty stains seeping away in every direction, of motives hidden and of endless stories that frustrate full understanding. To Chabrol, no life is ever a closed case.

60

Boxoffice Magazine by Richard Mowe

That sense of mischief and pleasure in the craft makes Bellamy a thoroughly intriguing and likeable experience. From Chabrol we would expect nothing less.

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