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The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self: a woman.
The movie contains an epic scope that feels out of sync with the smallness of its plot; you get the idea by the first act and then Laurence's world simply hangs there for another two hours like a slo-mo shrug.
In a contest between passion and pretension, Laurence Anyways reaches a kind of draw. What holds up here isn’t Dolan’s overly decorative filmmaking, but what he gets from his performers.
The clearest achievement of Dolan’s typically self-indulgent eye-popper comes in equating its gender-bending protagonist’s metamorphoses with those in any relationship that lasts for years.
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WHAT ARE CRITICS SAYING?
The Hollywood Reporter by
Slant Magazine by Chuck Bowen
Empire by David Hughes
IndieWire by Eric Kohn
Total Film by James Mottram
The Playlist by Kevin Jagernauth
The Globe and Mail (Toronto) by Liam Lacey
The Guardian by Peter Bradshaw
Variety by Rob Nelson