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Education

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United Kingdom · 2020

Director Steve McQueen
Starring Kenyah Sandy, Sharlene Whyte, Tamara Lawrance, Daniel Francis
Genre

John Boyega plays real-life figure Leroy Logan, a member of the London Metropolitan Police Force who both witnessed and experienced firsthand the organization’s fundamental racism. Set in the ’80s, McQueen’s film captures Logan’s growing awareness of a system that he would one day try to dismantle from the inside, while also centering on his relationship with his father, a victim of white police brutality who initially refuses to accept his son’s decision to enter law enforcement. An entry in McQueen’s Small Axe anthology, charting various lives over the course of three decades in the city’s West Indian community, Red, White and Blue is richly evocative and politically charged, with an impassioned yet nuanced performance from Boyega.

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What are critics saying?

90

Vox by Alissa Wilkinson

Education becomes a portrait of a community disappointed by the country they came to with eagerness — and determined to make something of themselves, and their culture, in spite of it.

92

TheWrap by Alonso Duralde

McQueen and co-writer Alastair Siddons capture that sense that the children of immigrants often have of living with one foot in their adopted country and one in their parents’ homeland.

83

IndieWire by Eric Kohn

This minuscule but affecting hourlong story is an extension of the “Small Axe” mission to fill a historical gap deserving of greater scrutiny, and achieves that goal by serving as a kind of education itself.

90

The New York Times by Jeannette Catsoulis

McQueen, who attended one of these schools, uses this small, hopeful story to illustrate how one generation, by means of an ingenious workaround to bigotry, fought to secure the future of the next.

75

LarsenOnFilm by Josh Larsen

Sandy is heartbreaking in the lead role, as his face registers surprise, then betrayal at the way the adults in his life—including, at times, his parents—fail him.

90

Variety by Peter Debruge

The brilliance of this particular episode is how it allows us to see ourselves in Kingsley and to consider the many unseen forces at play in our own socialization. For Black audiences, it confirms many of those invisible barriers. For white ones, it may lead them to question whether the myth of their “success” owes in part to keeping others back.

91

The Playlist by Robert Daniels

Education ends “Small Axe” on unsuspectingly grand terms. Yet the compact 63-minute coming-of-age film never loses its soft devoted touch. And McQueen, already an incredible filmmaker, shows another facet to his immense range.

63

Movie Nation by Roger Moore

It’s brief, but not so much to-the-point as wandering around it for an hour. And while it doesn’t spoil the effect of the whole, it does feel wanting as a finale. It’s the dullest “Small Axe” of the five.