Fascinating backroom politics circa WWII are undermined by banal marital melodrama in Danish director Christina Rosendahl’s The Good Traitor, resulting in a so-so period drama that raises more questions than it answers.
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The Good Traitor is still a solid movie for history buffs and does contain several moments of genuine style, making it well worth the watch.
The New York Times by Nicolas Rapold
Rosendahl’s framing complicates any “great man” narrative of the period, and shows how the energies of public and private worlds course back and forth.
No doubt Henrik Kauffmann (Ulrich Thomsen), the Danish ambassador to the United States during Nazi-occupied Denmark, was good. But The Good Traitor, the pseudo-docudrama depicting his life is sadly not.