If Silent Night ultimately aces its peculiar tone, it struggles with having anything to say.
What are people saying?
What are critics saying?
Griffin juggles her many characters well, and she’s very smart about weaponizing the coziness of Christmas movies to make uncomfortable points. Silent Night may wind up being a successful calling card for her (as a director if not as a screenwriter), but for all the beautiful wrapping, it’s mostly an empty box.
Distracted for long stretches with ribbons and bows, “Silent Night” never uncovers its harshest possibilities: It’s sober and well-behaved even when the party falls to pieces.
The Film Stage by Jared Mobarak
Griffin has made a comedy, but she pulls no punches.
The Hollywood Reporter by Lovia Gyarkye
This shaky apocalyptic film doesn’t land at times, but its gripping final act, a handful of standout performances and attempts at commentary about class and climate change will probably keep most audiences engaged.
The Playlist by Marya E. Gates
Highly ambitious, dark as midnight, and often hilarious, Griffin’s debut film Silent Night doesn’t always work, but her insightful look at the inherent selfishness of humanity and our absurd need to cling to hope no matter what is spot on.
With a stunningly honest performance from the director’s son — Jojo Rabbit star Roman Griffin Davis — Silent Night balances the eccentricities of a Christmas get-together with nihilistic acceptance of certain doom, making for a film that’s both bleak and dryly funny.
Silent Night works best as a grim chamber piece that subverts the season’s usual good cheer — or, depending on one’s temperament, serves as a tart distillation of the nagging gloom those who hate the holidays often feel.