75
Slant Magazine by Andrew Schenker
Alejandro Landes's Porfirio is an ugly movie to watch, but it's not without purpose.
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60
The whole notion of taking a page out of the Bressonian handbook (nonprofessional performers, a complete lack of emotionalism) lends a spiritual aspect to this antihero’s plight, with neither social neglect nor a battered corpus keeping his soul from transcending the self. Reaping the benefits of such a minimalist methodology, however, requires a high tolerance for Porfirio’s pitiless formalism.
60
The New York Times by Jeannette Catsoulis
Vividly depicting the indignities of the flesh, Porfirio offers a harshly sensual portrait of a man imprisoned by paralysis and the callousness of the state.
80
Porfirio's view of physical disability often mesmerizes despite its glacial progress and stingy way with narrative information.
70
The Hollywood Reporter by Kirk Honeycutt
The film falls into an interesting intersection between documentary and feature, between reality and fiction.
100
Village Voice by Scott Foundas
Landes's tone is never salacious or exploitative, nor for that matter pandering or sentimental. This is a sui generis work—warm, sporadically funny, deeply human, and altogether beguiling.