China Heavyweight

Washington Post by

Its brutality is unacceptable to Buddhism and Confucianism yet is increasingly appealing to young men (and women). And in a country that still professes socialism, it's fiercely individualistic. There are no collective work groups in the boxing ring.

The New York Times by Jeannette Catsoulis

Illustrating the film's rags-to-ring narrative with panoramic mountain views and compact shots of young bodies punching their way up the food chain, Mr. Sun straddles ancient and modern, tranquillity and turmoil, with equal sureness.

Variety by Justin Chang

As he did in his Three Gorges Dam documentary "Up the Yangtze," Chang examines how a particular strain of Western culture promises opportunity and prosperity for Chinese youth, even as it remains a continual source of intergenerational tension.

Time Out by Keith Uhlich

It's in between the lines that this movingly perceptive film scores a TKO.

The Globe and Mail (Toronto) by Liam Lacey

As with his previous film, director Chang nurses a compelling drama from a multilayered cultural reality, at once intimate and unfathomably large in implications.

Village Voice by Michael Atkinson

In the end, once we realize the title doesn't refer to these bantams' weight class but to their strength of heart, or something, the film feels blandly respectful and, oddly enough, apolitical.

Christian Science Monitor by Peter Rainer

It's really about the ways in which Chinese westernization clashes with the traditionalism of Confucian teachings. It's about competition versus piety.

New York Post by V.A. Musetto

Chang doesn't pull his punches in this continuing look at a changing, out-of-control China.